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The adult Heine would always be devoted to the French for introducing the Napoleonic Code and trial by jury. He glossed over the negative aspects of French rule in Berg: heavy taxation, conscription, and economic depression brought about by the Continental Blockade which may have contributed to his father's bankruptcy.
Heine's parents were not particularly devout. As a young child they sent him to a Jewish school where he learned a smattering of Hebrew , but thereafter he attended Catholic schools.
Here he learned French, which would be his second language - although he always spoke it with a German accent. He also acquired a lifelong love for Rhineland folklore.
In Heine went to a business school in Düsseldorf where he learned to read English, the commercial language of the time. He learned to hate Hamburg with its commercial ethos, but it would become one of the poles of his life alongside Paris.
When he was 18 Heine almost certainly had an unrequited love for his cousin Amalie, Salomon's daughter. Whether he then transferred his affections equally unsuccessfully to her sister Therese is unknown.
Salomon realised that his nephew had no talent for trade, and it was decided that Heine should enter the law. So, in , Heine went to the University of Bonn then in Prussia.
Political life in Germany was divided between conservatives and liberals. The conservatives, who were in power, wanted to restore things to the way they were before the French Revolution.
They were against German unification because they felt a united Germany might fall victim to revolutionary ideas.
Most German states were absolutist monarchies with a censored press. The opponents of the conservatives, the liberals, wanted to replace absolutism with representative, constitutional government, equality before the law and a free press.
At the University of Bonn, liberal students were at war with the conservative authorities. Heine was a radical liberal and one of the first things he did after his arrival was to take part in a parade which violated the Carlsbad Decrees , a series of measures introduced by Metternich to suppress liberal political activity.
Heine was more interested in studying history and literature than law. The university had engaged the famous literary critic and thinker August Wilhelm Schlegel as a lecturer and Heine heard him talk about the Nibelungenlied and Romanticism.
Though he would later mock Schlegel, Heine found in him a sympathetic critic for his early verses. Heine began to acquire a reputation as a poet at Bonn.
He also wrote two tragedies, Almansor and William Ratcliff , but they had little success in the theatre. After a year at Bonn, Heine left to continue his law studies at the University of Göttingen.
Heine hated the town. It was part of Hanover , ruled by the King of Britain, the power Heine blamed for bringing Napoleon down.
Here the poet experienced an aristocratic snobbery absent elsewhere. He also hated law as the Historical School of law he had to study was used to bolster the reactionary form of government he opposed.
Other events conspired to make Heine loathe this period of his life: he was expelled from a student fraternity for anti-Semitic reasons and he heard the news that his cousin Amalie had become engaged.
When Heine challenged another student, Wiebel, to a duel the first of ten known incidents throughout his life , the authorities stepped in and Heine was suspended from the university for six months.
His uncle now decided to send him to the University of Berlin. Heine arrived in Berlin in March It was the biggest, most cosmopolitan city he had ever visited its population was about , The university gave Heine access to notable cultural figures as lecturers: the Sanskritist Franz Bopp and the Homer critic F.
Wolf , who inspired Heine's lifelong love of Aristophanes. Most important was the philosopher Hegel , whose influence on Heine is hard to gauge.
He probably gave Heine and other young students the idea that history had a meaning which could be seen as progressive.
Another friend was the satirist Karl Immermann , who had praised Heine's first verse collection, Gedichte , when it appeared in December Since Heine was not very religious in outlook he soon lost interest, but he also began to investigate Jewish history.
He was particularly drawn to the Spanish Jews of the Middle Ages. In Heine began a historical novel, Der Rabbi von Bacherach , which he never managed to finish.
In May Heine left Berlin for good and joined his family at their new home in Lüneburg. Here he began to write the poems of the cycle Die Heimkehr "The Homecoming".
He returned to Göttingen where he was again bored by the law. In September he decided to take a break and set off on a trip through the Harz mountains.
On his return he started writing an account of it, Die Harzreise. On 28 June Heine converted to Protestantism. The Prussian government had been gradually restoring discrimination against Jews.
In it introduced a law excluding Jews from academic posts and Heine had ambitions for a university career. As Heine said in self-justification, his conversion was "the ticket of admission into European culture".
In any event, Heine's conversion, which was reluctant, never brought him any benefits in his career. Heine now had to search for a job.
He was only really suited to writing but it was extremely difficult to be a professional writer in Germany. The market for literary works was small and it was only possible to make a living by writing virtually non-stop.
Heine was incapable of doing this so he never had enough money to cover his expenses. Before finding work, Heine visited the North Sea resort of Norderney which inspired the free verse poems of his cycle Die Nordsee.
Their stormy relationship has been compared to a marriage. Campe was a liberal who published as many dissident authors as he could. He had developed various techniques for evading the authorities.
The laws of the time stated that any book under pages had to be submitted to censorship the authorities thought long books would cause little trouble as they were unpopular.
One way around censorship was to publish dissident works in large print to increase the number of pages beyond The censorship in Hamburg was relatively lax but Campe had to worry about Prussia, the largest German state which had the largest market for books it was estimated that one-third of the German readership was Prussian.
Initially, any book which had passed the censor in a German state was able to be sold in any of the other states but in this loophole was closed.
Campe was reluctant to publish uncensored books as he had bad experience of print runs being confiscated. Heine resisted all censorship; this issue became a bone of contention between the two.
However, the relationship between author and publisher started well: Campe published the first volume of Reisebilder "Travel Pictures" in May This volume included Die Harzreise , which marked a new style of German travel-writing, mixing Romantic descriptions of Nature with satire.
This was a collection of already published poems. No one expected it would be one of the most popular books of German verse ever published and sales were slow to start with, picking up when composers began setting Heine's poems as Lieder.
It contains the ironic disillusionment which is typical of Heine:. Du siehst mich an wehmütiglich, Und schüttelst das blonde Köpfchen; Aus deinen Augen schleichen sich Die Perlentränentröpfchen.
Nightly I see you in dreams — you speak, With kindliness sincerest, I throw myself, weeping aloud and weak At your sweet feet, my dearest.
You look at me with wistful woe, And shake your golden curls; And stealing from your eyes there flow The teardrops like to pearls.
You breathe in my ear a secret word, A garland of cypress for token. I wake; it is gone; the dream is blurred, And forgotten the word that was spoken.
Poetic translation Hal Draper. Starting from the mids, Heine distanced himself from Romanticism by adding irony, sarcasm and satire into his poetry, and making fun of the sentimental-romantic awe of nature and of figures of speech in contemporary poetry and literature.
Das Fräulein stand am Meere Und seufzte lang und bang. Es rührte sie so sehre der Sonnenuntergang. Mein Fräulein! Sein sie munter, Das ist ein altes Stück; Hier vorne geht sie unter Und kehrt von hinten zurück.
A mistress stood by the sea sighing long and anxiously. She was so deeply stirred By the setting sun My Fräulein! The blue flower of Novalis , "symbol for the Romantic movement", also received withering treatment from Heine during this period, as illustrated by the following quatrains from Lyrisches Intermezzo  :.
Am Kreuzweg wird begraben Wer selber brachte sich um; dort wächst eine blaue Blume, Die Armesünderblum. Am Kreuzweg stand ich und seufzte; Die Nacht war kalt und stumm.
Im Mondenschein bewegte sich langsam Die Armesünderblum. I stood at the cross-road and sighed The night was cold and mute. Heine became increasingly critical of despotism and reactionary chauvinism in Germany, of nobility and clerics but also of the narrow-mindedness of ordinary people and of the rising German form of nationalism , especially in contrast to the French and the revolution.
Nevertheless, he made a point of stressing his love for his Fatherland :. Plant the black, red, gold banner at the summit of the German idea, make it the standard of free mankind, and I will shed my dear heart's blood for it.
Rest assured, I love the Fatherland just as much as you do. The first volume of travel writings was such a success that Campe pressed Heine for another.
Reisebilder II appeared in April It contains the second cycle of North Sea poems, a prose essay on the North Sea as well as a new work, Ideen: Das Buch Le Grand , which contains the following satire on German censorship:  .
Heine went to England to avoid what he predicted would be controversy over the publication of this work. Heine was unimpressed by the English: he found them commercial and prosaic, and still blamed them for the defeat of Napoleon.
On his return to Germany, Cotta , the liberal publisher of Goethe and Schiller, offered Heine a job co-editing a magazine, Politische Annalen , in Munich.
Heine did not find work on the newspaper congenial, and instead tried to obtain a professorship at Munich University, with no success.
The aristocratic poet August von Platen had been annoyed by some epigrams by Immermann which Heine had included in the second volume of Reisebilder.
He counter-attacked by writing a play, Der romantische Ödipus , which included anti-Semitic jibes about Heine. Heine was stung and responded by mocking Platen's homosexuality in Die Bäder von Lucca.
Heine left Germany for France in , settling in Paris for the remainder of his life. Heine shared liberal enthusiasm for the revolution, which he felt had the potential to overturn the conservative political order in Europe.
Saint-Simonianism preached a new social order in which meritocracy would replace hereditary distinctions in rank and wealth.
There would also be female emancipation and an important role for artists and scientists. Heine frequented some Saint-Simonian meetings after his arrival in Paris but within a few years his enthusiasm for the ideology — and other forms of utopianism- had waned.
Heine soon became a celebrity in France. Paris offered him a cultural richness unavailable in the smaller cities of Germany.
He had little interest in French literature and wrote everything in German, subsequently translating it into French with the help of a collaborator.
In Paris, Heine earned money working as the French correspondent for one of Cotta's newspapers, the Allgemeine Zeitung.
The first event he covered was the Salon of His articles were eventually collected in a volume entitled Französische Zustände "Conditions in France".
If the two countries understood one another there would be progress. Heine thought that such an image suited the oppressive German authorities.
He also had an Enlightenment view of the past, seeing it as mired in superstition and atrocities. According to Heine, pantheism had been repressed by Christianity and had survived in German folklore.
He predicted that German thought would prove a more explosive force than the French Revolution. Heine reluctantly began a relationship with her.
She was illiterate, knew no German, and had no interest in cultural or intellectual matters. Nevertheless, she moved in with Heine in and lived with him for the rest of his life they were married in Heine and his fellow radical exile in Paris, Ludwig Börne , had become the role models for a younger generation of writers who were given the name " Young Germany ".
They were liberal, but not actively political. Nevertheless, they still fell foul of the authorities. In Gutzkow published a novel, Wally die Zweiflerin "Wally the Sceptic" , which contained criticism of the institution of marriage and some mildly erotic passages.
In November of that year, the German Diet consequently banned publication of works by the Young Germans in Germany and — on Metternich's insistence — Heine's name was added to their number.
Heine, however, continued to comment on German politics and society from a distance. His publisher was able to find some ways of getting around the censors and he was still free, of course, to publish in France.
Heine's relationship with his fellow dissident Ludwig Börne was troubled. Since Börne did not attack religion or traditional morality like Heine, the German authorities hounded him less although they still banned his books as soon as they appeared.
Börne was the idol of German immigrant workers in Paris. He was also a republican, while Heine was not. Heine regarded Börne, with his admiration for Robespierre , as a puritanical neo-Jacobin and remained aloof from him in Paris, which upset Börne, who began to criticise him mostly semi-privately.
In February , Börne died. When Heine heard that Gutzkow was writing a biography of Börne, he began work on his own, severely critical "memorial" of the man.
When the book was published in it was universally disliked by the radicals and served to alienate Heine from his public.
Even his enemies admitted that Börne was a man of integrity so Heine's ad hominem attacks on him were viewed as being in poor taste.
Heine had made personal attacks on Börne's closest friend Jeanette Wohl so Jeannette's husband challenged Heine to a duel. It was the last Heine ever fought — he received a flesh wound in the hip.
Before fighting, he decided to safeguard Mathilde's future in the event of his death by marrying her. Heine continued to write reports for Cotta's Allgemeine Zeitung and, when Cotta died, for his son and successor.
One event which really galvanised him was the Damascus Affair in which Jews in Damascus had been subject to blood libel and accused of murdering an old Catholic monk.
This led to a wave of anti-Semitic persecution. The French government, aiming at imperialism in the Middle East and not wanting to offend the Catholic party, had failed to condemn the outrage.
On the other hand, the Austrian consul in Damascus had assiduously exposed the blood libel as a fraud. For Heine, this was a reversal of values: reactionary Austria standing up for the Jews while revolutionary France temporised.
Heine responded by dusting off and publishing his unfinished novel about the persecution of Jews in the Middle Ages, Der Rabbi von Bacherach. German poetry took a more directly political turn when the new Frederick William IV ascended the Prussian throne in Initially it was thought he might be a "popular monarch" and during this honeymoon period of his early reign —42 censorship was relaxed.
This led to the emergence of popular political poets so-called Tendenzdichter , including Hoffmann von Fallersleben author of Deutschlandlied , the German anthem , Ferdinand Freiligrath and Georg Herwegh.
Heine looked down on these writers on aesthetic grounds — they were bad poets in his opinion — but his verse of the s became more political too.
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